4AM Lyrics

[Verse 1]
Four in the morning, we find ourselves here
The best of us passed out, I don't know who's where
I got all my old friends and new friends I've met once before
In a blanket of smoke as we sink through the floor

[Pre-Chorus]
Here, here, my family
You are my familiar, you are my familiar
Here, here, my friends and me
You are my familiar

[Chorus]
Oh, there is nowhere I would rather be
Never feel more comfortable, could never want for more when I'm here
No, there is nowhere I would rather be, oh-oh
Never feel more comfortable, could never want for more when you're near

[Post-Chorus]
Ooh
Ooh, ah

[Verse 2]
Time skips, balloon hits, I'm losing my mind
Tuesday'll be a doom day, this got out of hand
[Pre-Chorus]
Here, here, my family
You are my familiar, you are my familiar
Here, here, my friends and me
You are my familiar

[Chorus]
Oh, there is nowhere I would rather be
Never feel more comfortable, could never want for more when I'm here
No, there is nowhere I would rather be, oh-oh
Never feel more comfortable, could never want for more when you're near

[Post-Chorus]
Ooh
Ooh, ah

[Bridge]
I don't care if we're talkin' 'bout the same things
I don't care if we're stuck in the familiar
I don't care if we're goin' 'round in circles
Again, again, again

[Pre-Chorus]
Here, here, my family (I might be a walking disaster)
You are my familiar, you are my familiar (Not much more that I would ask for)
Here, here, my friends and me (I might be a walking disaster)
You are my familiar (Not much more that I would ask for)
[Chorus]
Oh, there is nowhere I would rather be
Never feel more comfortable, could never want for more when I'm here
Oh, there is nowhere I would rather be
I never feel more comfortable, could never want for more when you're near

[Post-Chorus]
Ooh, ah
Ooh, ah

[Outro]
I can't remember, I can't remember
I can't remember, I can't remember
I can't remember, I can't remember
I can't remember, help me piece it all together, darlin'

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About

Genius Annotation

Thirty-two minutes after the party anthem of “Nocturnal Creatures” comes the crash at “4AM.” The party is quickly beginning to die down and people are either going home or going to sleep. Dan describes the scene imagined in writing the song to Billboard, saying:

We wanted to do something that felt super intimate, super honest, kind of stoned and woozy and sums up that moment at 4:00 a.m. when you’re surrounded by people that you do or don’t know and have that weird, naive, slightly fucked up contentment. You’re thinking, “Ah this is bliss” – but it’s probably not bliss at all. I wanted to celebrate that, so I recorded myself and the choir and pitched it around to make it ethereal.

The musicality of the song draws inspiration from the intimacy of Frank Ocean’s 2016 album Blonde. The song begins with woozy chorus notes and primarily features light guitar with touches of synth and wind instruments for atmosphere. Its minimalist instrumentation, warm and intimate sound, and relatively slow tempo defines the song’s purpose as a sleepy, nighttime, song.

Although the song was not released as a promotional single, it was performed live on the Still Avoiding Tomorrow tour prior to the album’s release. The song is Dan’s favorite on the album, as of early 2018.

Coincidentally, this particular time has appeared in a previous Bastille song, “Winter of Our Youth”

It’s 4am here comes the fear
I’m not prepared yet

Q&A

Find answers to frequently asked questions about the song and explore its deeper meaning

What did Bastille say about "4AM"?
Genius Answer

It came from a love of Frank Ocean’s album Blonde and the intimacy of it. Clearly so many ideas and thoughts and recordings that had gone into it were pared back, and I think it is a brilliant example of reductionism. We wanted to do something that felt super intimate, super honest, kind of stoned and woozy and sums up that moment at 4:00 a.m. when you’re surrounded by people that you do or don’t know and have that weird, naive, slightly fucked up contentment. You’re thinking, “Ah this is bliss” – but it’s probably not bliss at all. I wanted to celebrate that, so I recorded myself and the choir and pitched it around to make it ethereal. We got our friend Rittipo, who’s a saxophonist and has toured with us a fair amount, down to the studio and let him loose on the track. I think it adds a really beautiful nighttime vibe and a kind of improvisational quality that my musical brain would never go to, so I guess it was a lesson for us on how good it could be to let other people bring their identity into what we do.

Dan Smith via Billboard

Credits
Producers
Writer
Copyright ©
Phonographic Copyright ℗
Vocals
Synthesizer
Additional Vocals
Saxophone
Recording Engineer
Programmer
Mixing Engineer
Mastering Engineer
Assistant Mixing Engineer
Release Date
June 14, 2019
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