River Lyrics
They're cutting down trees
They're putting up reindeer
Singing songs of joy and peace
I wish I had a river I could skate away on
But it don't snow here
It stays pretty green
I'm gonna make a lot of money
And quit this crazy scene
I wish I had a river I could skate away on
I wish I had a river so long
I would teach my feet to run; fly
I wish I had a river I could skate away on
She tried hard to help me
And put me at ease
And she loved me so naughty
Made me weak in the knees
I wish I had a river I could skate away on
I'm so hard to handle
I'm selfish and I'm sad
Now I've lost the bеst woman
That I ever had
I wish I had a river I could skatе away on
I would teach my feet to run; fly
Oh, I wish I had a river I could skate away on
My baby said goodbye
About
Dave Van Ronk had met Joni Mitchell very early in her career when she was living in Detroit and performing with her first husband, Chuck Mitchell (Dave’s first impression, upon hearing her sing “Urge for Going”: “It was simply magical, and by the middle of the second verse, you could hear a pin drop”). When Joni split from Chuck and moved permanently to New York City, the two became fast friends, Joni a devoted fan of his brand of folk music and Dave a great admirer of her songwriting (“the best writer of the 1960s,” he said). On the rare occasion that Dave would write his own material, Joni would be a key inspiration.
Dave would record several of Mitchell’s songs, including “Urge for Going,” “That Song About The Midway,” and “Both Sides Now,” which he recorded as “Clouds,” allegedly inspiring Joni to name the album on which it would eventually appear Clouds. This arrangement of “River” does away with the Jingle Bells motif of Joni’s recording, instead pairing the lyrics with a sparse, idiosyncratic guitar part over which Dave sings in a very soft and very vulnerable voice.
It’s been said that Joni considered Dave to be the only artist to ever sing her songs better than she herself sang them. Friend and biographer Elijah Wald speculates as to why: “Dave’s rough growl counteracted the prettiness of the melodies, forcing listeners to hear the power of the poetry.”
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