Sweetest Perfection Lyrics

[Chorus]
The sweetest perfection
To call my own
The slightest correction
Couldn't finely hone
The sweetest infection
Of body and mind
Sweetest injection
Of any kind


[Verse 1]
I stop and I stare too much
Afraid that I care too much
And I hardly dare to touch
For fear that the spell may be broken
When I need a drug in me
And it brings out the thug in me
Feel something tugging me
Then I want the real thing, not tokens

[Chorus]
The sweetest perfection
To call my own
The slightest correction
Couldn't finely hone
The sweetest infection
Of body and mind
Sweetest injection
Of any kind

[Verse 2]
Things you'd expect to be
Having effect on me
Pass undetectedly
But everyone knows what has got me
Takes me completely
Touches so sweetly
Reaches so deeply
I know that nothing can stop me

[Bridge]
Sweetest perfection
An offer was made
An assorted collection
But I wouldn't trade

[Chorus]
The sweetest perfection
To call my own
The slightest correction
Couldn't finely hone
The sweetest infection
Of body and mind
Sweetest injection
Of any kind

[Interlude]

[Chorus]
The sweetest perfection
To call my own
The slightest correction
Couldn't finely hone
(Nothing can stop me)
The sweetest infection
(Takes me completely)
Of body and mind
(Touches so sweetly)
Sweetest injection
(Reaches so deeply)
Of any kind

(Nothing can stop me)
The sweetest perfection
(Takes me completely)
To call my own
(Touches so sweetly)
The slightest correction
(Reaches so deeply)
Couldn't finely hone
(Nothing can stop me)
The sweetest infection
(Takes me completely)
Of body and mind
(Touches so sweetly)
Sweetest injection
(Reaches so deeply)
Of any kind

(Nothing can stop me)

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About

Genius Annotation

“Sweetest Perfection” is the second track on Depeche Mode’s seventh and most successful album Violator.

On the 25th anniversary of the album’s release, Billboard pondered, “Whether ‘the sweetest injection’ is a reference to sex or drugs, the inclusion of the word ‘infection’ suggests a self-destructive aspect to the narrator’s pursuit of pleasure.” Slant Magazine had similar thoughts in 2003 about songwriter Martin Gore’s intertwining of sex and addiction on the track.

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