​F.O.R.E.V.E.R Lyrics

Don't use the word, "Forever"
We live too long to be so loved
People change and I can be tethered
We think we are the only ones
You can't walk the streets a ghost anymore
You can't walk the streets a ghost anymore
Days form like new figures down my road
Each one looks more like you than you know
Beauty always in the last
You always landed on your feet in the past
While you were away, there was nothing to see
There's a mirror in my room I never used
While you were away, I started loving you
Oh, loving you

And I noticed I can still ghost the streets
And I noticed I can still ghost the streets
I noticed I can still ghost the streets

Noticed just how slow the killer bee's wings beat
And how wonderful, how wonderful
How wonderful you are

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About

Genius Annotation

The fifth track on James Blake’s intensely emotive third studio album. “F.O.R.E.V.E.R.” is a work of melting balladry describing the variable permanence of love in relationships. The heartbreaking piece moves effortlessly through metaphors involving ghosts and mirrors, soaring vocals over a sole melancholy piano.

The use of ‘F.O.R.E.V.E.R.’ rather than simply ‘Forever’ as the title reflects the sentiment of the opening line – ‘don’t use the word “forever”’. Blake has doubts about the permanence of relationships, and has himself stopped using the word.

Blake debuted “f.o.r.e.v.e.r” at Art Basel in December 2014. In an interview with Gilles Peterson on BBC Radio 6 he revealed the motivations behind “f.o.r.e.v.e.r.”

[The track] was written about a conversation that I had with somebody about marriage and about committing to somebody […] marriage was invented at a time where we lived to about 35 and, in modern times, when the average age is 80 or something, it seems a little bit intense to say to somebody that you’ll love them forever, regardless of what happens, because you don’t know what’s going to happen. You might grow apart, all sorts of things, life situations. So that conversation spans this idea of what “forever” means to a relationship and how actually I didn’t see how that could be possible and actually, that it was sort of disingenuous to even make that promise. So this is almost like an “anti-commitment” song. This song puts into words the frustration of this idea.

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