Rubberband Girl [Director’s Cut] Lyrics
When you see the trees bend
And when you see the trees bend
I feel they've got a lot more sense than me
I try to resist...
[Chorus 1]
A rubberband bouncing back to life
A rubberband bend the bend
If I could learn to give like a rubber band
I'd be back on my feet
A rubberband bouncing back to life
A rubberband pony tails
I could learn to twang like a rubber band
I'd be a rubberband girl
[Post-Chorus]
A rubberband girl, me
A rubberband girl, me
I wanna be a rubberband girl
[Verse 2]
When I slip out
Of my catapult
I wanna land with my feet firm on the ground
And let my body catch up
A rubberband bouncing back to life
A rubberband bend the bend
If I could learn to give like a rubber band
I'd be back on my feet
A rubberband hold my trousers up
A rubberband pony tails
I wanna learn to twang like a rubberband
And be a rubberband girl
[Post-Chorus]
A rubberband girl, me
A rubberband girl, me
I wanna be a rubberband girl
[Interlude]
[Outro]
A rubberband bend the beat back
A rubberband bend the beat back
I wanna snap like a rubberband
I wanna twang like a rubberband
A rubberband girl, me
About
Closing Kate’s first album of 2011, “Rubberband Girl” is a song originally released as the lead single for the 1993 album The Red Shoes and featured in the film The Line, The Cross and the Curve of the same year. It was later rereleased as the eleventh track from Director’s Cut. Similar to previous tracks “This Woman’s Work” and “Moments of Pleasure”, it was completely rerecorded as opposed to simply being remixed.
Actually finishing seven seconds short of its preceding version, many of the original lyrics, like the original musicians' performances, are left disregarded as the song is reinvented in a lower key. This was to compensate for the difficulties presented by Kate’s natural voice deepening and allowed her to sing the songs as if they were newly written.
The track has brought up almost as much controversy as “This Woman’s Work”, with people comparing the new vocal to Kate singing “with a clothes pin on her nose” and labelling the mix as “muddy” due to its slight concealing of the vocal.
Q&A
Find answers to frequently asked questions about the song and explore its deeper meaning
I thought the original ‘Rubberband’ was… Well, it’s a fun track. I was quite happy with the original, but I just wanted to do something really different. It is my least favourite track. I had considered taking it off to be honest. Because it didn’t feel quite as interesting as the other tracks. But I thought, at the same time, it was just a bit of fun and it felt like a good thing to go out with. It’s just a silly pop song really.
It was just me on my own playing along to what was there. It was just her communicating exactly the way she wanted it to sound. Maybe she was telling me she wanting it to sound a little freer and livlier. At times she encouraged me to really stretch, in a way that was like we were just jamming and she wanted me to be really free.
Brendan Power on his blasting harmonica solo. Source
The original key was C# major, which was lowered to B major for this version.
- 11.Rubberband Girl [Director’s Cut]