Packin' all my things for the summer
Lyin' on my bed, it's a bummer
'Cause I didn't call when I got your number
But I liked you a lot
Slippin' on my dress in soft filters
Everybody said you're a killer
But I couldn't stop the way I was feelin'
The day your record dropped
[Chorus]
The day I saw your white Mustang
Your white Mustang
The day I saw your white Mustang
Your white Mustang
[Verse 2]
Caught up in my dreams and forgettin'
I've been actin' like armageddon 'cause you
Held me in your arms just a little too tight
That's what I thought
Summer's meant for lovin' and leavin'
I was such a fool for believin' that you
Could change all the ways you've been livin'
But you just couldn't stop
The day I saw your white Mustang
Your white Mustang
The day I saw your white Mustang
Your white Mustang
[Bridge]
And you're revvin' and revvin' and revvin' it up
And the sound, it was frightenin'
And you were gettin' a part of that
You're gonna hit me like lightnin'
[Chorus]
White Mustang
Your white Mustang
The day I saw your white Mustang
Said, you're a wild mustang
[Outro]
You're gonna hit me like lightnin'
You're gonna hit me like lightnin'
About
“White Mustang” is thematically similar to “Groupie Love,” another Lust for Life track that looks at a relationship between Lana and a musician. Though at first she seemed just like a groupie who fell in love, Lana later realized her lover won’t change his reckless behaviour.
Lana conjures a “White Mustang,” a powerful and fast car. It is also worth noting that a white mustang appears in her “Born to Die” music video.
Lana teased snippets of the song via Instagram on June 8th and July 6th and 20th.
Lana’s tendency to use American car brands as metaphors for past relationships or life phases can be also seen in other of her songs: in “On Our Way”, where she’s traveling with her lover in a Chevrolet, in “Hawaiian Tropic” where she’s driving a Cadillac, or in her road trip across the USA in a Pontiac, in “1949”.
The car imagery is also used as motifs for her album’s design, as it can be seen in the covers of Born to Die and Ultraviolence.
Q&A
Find answers to frequently asked questions about the song and explore its deeper meaning
It was too happy. We’re not there yet…I’m getting to the place that I was singing about in Yosemite, and I’m just not there yet. Like, at the end of the record, I wrote Cherry and White Mustang, which, I felt like I even sounded kind of annoyed in these tracks, which I’m not really used to hearing myself sound that way musically, and I realized, like, I think I thought by the end of this record I’d be in a totally different spot. Like, a little bit of a 180, like, we’re in this really, super clear zone, and then I realized I’m still figuring out so much stuff…
Lana in conversation with Zane Lowe on Beats 1.
- 1.Love
- 3.13 Beaches
- 4.Cherry
- 5.White Mustang
- 7.Groupie Love
- 14.Heroin
- 15.Change
- 16.Get Free