War Lyrics

[Verse 1]
Until the philosophy
Which holds one race superior
And another inferior
Is finally and permanently
Discredited and abandoned
Everywhere is war

[Verse 2]
Until there is no longer first class
Or second class citizens of any nation
That until the color of a man's skin
Is of no more significance
Than the color of his eyes
I've got to say "war"

[Verse 3]
That until the basic human rights
Are equally guaranteed to all
Without regard to race
Then we say "war"

[Verse 4]
That until that day the dream of lasting peace
World-citizenship and the rule of
International morality will remain
Just a fleeting illusion to be pursued
But never obtained
And everywhere is war

How to Format Lyrics:

  • Type out all lyrics, even repeating song parts like the chorus
  • Lyrics should be broken down into individual lines
  • Use section headers above different song parts like [Verse], [Chorus], etc.
  • Use italics (<i>lyric</i>) and bold (<b>lyric</b>) to distinguish between different vocalists in the same song part
  • If you don’t understand a lyric, use [?]

To learn more, check out our transcription guide or visit our transcribers forum

About

Genius Annotation

O'Connor’s version of Bob Marley’s song “War” is best remembered now for what she did on the October 3, 1992 Saturday Night Live show. She altered the wording of the sixth and seventh verses of the song to say,

Until the ignoble and unhappy regime which holds all of us through child abuse / yaa / child abuse / yaa / subhuman bondage / has been toppled / utterly destroyed.

Until that day there is no continent that will know peace/ Children, children / Fight / We find it necessary / We know we will win /
We have confidence in the victory of good over evil

As she finished singing the final word, “evil”, O'Connor ripped up a picture of then-Pope John Paul II. Saying, “Fight the real enemy”, she then threw the pieces of the photo toward the camera. She did this as a protest against Pope John Paul II’s role in the ongoing cover-up of child sexual abuse within the Catholic Church. Although this act of protest garnered much controversy and condemnation, O'Connor has always defended her actions as a protest against an institutional covering up child abuse. As a sufferer of childhood abuse herself, she felt particularly drawn to this act of protest.

In an interview with Viddyms the day after her performance, the interviewer Tony Lindo said that, “And those of us who listen to Reggae music and are interested in the Rastafari culture, know there are some similarities in what she’s been saying about the pope and what we’ve known and been saying for a long time.”

Q&A

Find answers to frequently asked questions about the song and explore its deeper meaning

Credits
Producer
Saxophone
Vocal Recording Engineer
Rhythm Guitar
Keyboards
Recording Engineer
Recorded At
Recorded at Tuff Gong Studio, Kingston, Jamaica; Vocal Recording at Anchor Studios, Kingston, Jamaica
Release Date
October 4, 2005
Tags
Comments