"Circus Maximus" by Travis Scott (ft. The Weeknd) seems to explore themes of fame, hedonism, and the persona that artists create within the entertainment industry.

The song opens with the line "Unreal, what is this? God done gave me strings," suggesting a sense of disbelief and wonderment at the artist's rise to fame and success. The mention of "front row seats" alludes to the desire for attention and validation from the public.

Travis Scott's verse delves into the dark side of the music industry. He describes himself as a "walking distraction" and alludes to his race ("naturally black") and endurance amidst the chaos. The references to "coke in the mile world" and being "at the top of the tavern" indicate the excesses and vices often associated with fame. The line "all the real have been dabbed in" could suggest that authenticity is compromised in the pursuit of success.

The chorus, sung by The Weeknd, questions the genuine nature of love and the desire for fame. He asks if his lover would care if he was alive, suggesting that fame may overshadow personal connections. The line "or do you want to be famous?" could imply that in this world of stardom, the desire for recognition and fame may lead to a prioritization of one's own image over genuine relationships.

Travis Scott's second verse focuses on his lifestyle and experiences within the entertainment industry. He references removing the top of a car, symbolizing living a luxurious lifestyle, and asserts his resilience by stating "you know that boy not soft." The line "move like Moses, walking over seas" could be interpreted as him metaphorically navigating through challenges and obstacles in his career.

Overall, "Circus Maximus" examines the price of fame, the excesses of the industry, and the struggle to maintain authenticity and genuine relationships while being thrust into the spotlight.