Orville showed up in my DMs before I even knew who he was, and we became really good friends. We hang out. We were working on the Noah Cyrus song [“On Mine”] and I asked him to make me an intro for the album—a guitar loop, because I was going to add my own spoken word. He wound up doing the whole thing himself, and I just loved it. It’s the perfect way to introduce this record, which has all these different styles of country and pop pushing against each other. He’s the most outlandish figure in that world, so it made sense to me. It sets the stage that nothing that follows is going to be conventional. We’re taking it apart. We’re doing our own take. This is my team’s story.