He reuses the verse melody from the previous album's "Dirty Little Religion", the topics of the verses are all over the place, and he packs too many words into one line (goes to show...) and too few in another (it's pretty hard to find), and rhymes "Henley Regatta" with "Persona non grata", but gets away with it all as only he could.
Frankie Lane, he was singing Jezebel
I pinned an Iron Cross to my lapel
I walked up to the tallest and the blondest girl
I said, Look, you don't know me now but very soon you will
So won't you let me see
I said "won't you let me see"
I said "won't you let me see
Your naked body?"
Just dance me to the dark side of the gym
Chances are I'll let you do most anything
I know you're hungry, I can hear it in your voice
And there are many parts of me to touch, you have your choice
Ah but no you cannot see
She said "no you cannot see"
She said "no you cannot see
My naked body"
So We're dancing close, the band is playing Stardust
Balloons and paper streamers floating down on us
She says, You've got a minute left to fall in love
In solemn moments such as this I have put my trust
And all my faith to see
I said all my faith to see
I said all my faith to see
Her naked body
I pinned an Iron Cross to my lapel
I walked up to the tallest and the blondest girl
I said, Look, you don't know me now but very soon you will
So won't you let me see
I said "won't you let me see"
I said "won't you let me see
Your naked body?"
Just dance me to the dark side of the gym
Chances are I'll let you do most anything
I know you're hungry, I can hear it in your voice
And there are many parts of me to touch, you have your choice
Ah but no you cannot see
She said "no you cannot see"
She said "no you cannot see
My naked body"
So We're dancing close, the band is playing Stardust
Balloons and paper streamers floating down on us
She says, You've got a minute left to fall in love
In solemn moments such as this I have put my trust
And all my faith to see
I said all my faith to see
I said all my faith to see
Her naked body
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More Featured Meanings
Corpse I Fell In Love With
Gadjits, The
Gadjits, The
The Spy
Doors, The
Doors, The
Like a lot of the other comments are saying, I think this mainly about voyeurism. If the song was about his girlfriend, then why would he use the word spy. If you are a spy it means you shouldn't be caught, that is kind of the whole point, and if you are a voyeur, the whole point of the pleasure you get from it, is the fact that the other people don't know you are watching them. See a bit of a connection there?
Battle Royale
Word Alive, The
Word Alive, The
This song is def a twin to "Unfair" (a song she has been quoted as saying is about falling in love with someone who is already in a relationship) so it is presumably about the same person. Given the references to buying an apartment and not being able to see her love interest "after tonight," it's most likely that she's moving away and she'll "wait a day to break the bad news" (i.e. notifying him that she's leaving once she's already gone).
And, of course, the fact that she sees in him a fellow "idealist" and "dreamer" (terms commonly given to people with the INFP personality on the Myers–Briggs Type Indicator (MBTI)) portends that she'll always be left wondering if they would've been perfect together.
Fortnight
Taylor Swift
Taylor Swift
The song 'Fortnight' by Taylor Swift and Post Malone tells a story about strong feelings, complicated relationships, and secret wishes. It talks about love, betrayal, and wanting someone who doesn't feel the same. The word 'fortnight' shows short-lived happiness and guilty pleasures, leading to sadness. It shows how messy relationships can be and the results of hiding emotions. “I was supposed to be sent away / But they forgot to come and get me,” she kickstarts the song in the first verse with lines suggesting an admission to a hospital for people with mental illnesses. She goes in the verse admitting her lover is the reason why she is like this. In the chorus, she sings about their time in love and reflects on how he has now settled with someone else. “I took the miracle move-on drug, the effects were temporary / And I love you, it’s ruining my life,” on the second verse she details her struggles to forget about him and the negative effects of her failure. “Thought of callin’ ya, but you won’t pick up / ‘Nother fortnight lost in America,” Post Malone sings in the outro.
The Night We Met
Lord Huron
Lord Huron
This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
A great theme of Leonard Cohen's seems to be modern man's agonized longing for God or some transcendent ideal that pre-rational-scientific-materialistic man had to orient his life - I think you can see that in Hallelujah but that's what this entire song, too, is about.
The vulgarization of the traditional divine ideal is clear in the "Iron Cross" and "Jezebel" and the traditional image of God in heaven is reduced to "Stardust" and "Balloons and paper streamers floating down on us."
The "tallest and blondest girl" is a representation of the ideal and Leonard Cohen goes up to her/it/God but he's incapable of pure and self-transcending love. Instead, all he can see is the material, not the spiritual - "her naked body," which is all he can attempt to summon with his pathetic faith (LC actually sings "pathetic faith" at the end in a live version), the pathetic faith of modern man.
What really kills me about LC is how clearly the agonized longing comes through via his voice: "I know you're hungry, I can hear it in your voice." I sure can LC, I sure can.
@ZeksAtLiberty I'm pretty sure it's just a song about Cohen as a high school trying to come onto someone, but, okay.
@ZeksAtLiberty I hear it too. And I love it.
@ZeksAtLiberty brilliant take, I love it
No Phil Spector production is complete without the '50s production.
This song rules. And seems designed to scare the hell out of any fan of early Cohen.
While the 'Spectorized' "Death of a Ladies Man" seemed to by shunned by most of Leonard Cohen's fan-base, including Cohen himself, you can't but help weed out the great lyrics from the Wall of Sound. Even if the production style of Phil Spector isn't your cup of Cohen, you can appreciate the well crafted lyricism of Mr. Cohen. Although, the live version of "Memories" in the "Field Commander Cohen Tour of 1979" is much easier to swallow.