Underground Lyrics
Shit I dont know. But I do know, I'm back now! Haha
Here comes the rain and thunder now
Nowhere to run, to run to now
I disappeared don't wonder how
Looking for me? I'm underground
Nowhere to run, to run to now
I disappeared don't wonder how
Looking for me? I'm underground
Dre, I'm down here
Under the ground Dig me up
Broken tibias fibula fix me up
Sixty sluts all of em dyin from asphixia
After they shit piss through a
Christopher Reeve sippy cup
Dixie cups, toxins, boxes of Oxy pads
enough Oxycontin to send a fucking ox to rehab
Wack job in the back
with a black stocking cap
Jacking off in a hockey mask
to a boxing match
He cant say that!
Yes he can!
I just did fagot now guess again
you better text message your next of kin
tell him shits about to get extra messy
especially when i flex again
and throw a fucking lesbian in wet cement
faggoty faggoty faggoty Raggety Ann and Andy
no Raggedy Andy and Andy
no it cant be it cant be
yes it can be
the fucking Antichrist is back dammit
its Satan with black satin panties
this is Amityville
calamity goddammit insanity pills
fanny pack filled with Xannies
through every note and cranny
looking for trannies
milk and cookies
split on her silk negligee
look it razor blades with me make you bleed
cases of Maybellene makeup lay on her table of weed
Slim Shady
shit sounds like a fable to me
till he jumps out of the fucking toilet when you taking a pee
Six semen samples
Seventeen strands of hair
found in the back of a van
after the shoot with vanity fair
Hannah Montana prepare to elope with a can opener
and be cut open like cantaloupe in canopy beds
and glad bags yeah glad to be back
cause last year was a tragedy that landed me straight in rehab
fucking doctor didn't understand a damn word he said
i planned to relapse soon as i walked outta that bitch
two weeks in Brighton
i ain't enlightened
biting into a fucking Vicodin
like I'm a viking
oh lightning is striking
might be a fucking sign
now i need a psychic evaluation
Fuck Jason, its Friday the 19th
that means its just a regular day
and this is the kinda shit i think of regularly
fucking lesbian shouldn't of had her legs in the way
now shes pregnant and gay
missing both legs and begging to stay
Tell the critics I'm back and im coming
to spit it back in abundance
Hit a fag with onions
then split a bag of Fun-yuns
Mad at me? Understandable
Shoot an animal out of a cannon
and have him catapult at an adult
Captain of a cult with an elite following
Looking to turn Halloween back into a trick or treat holiday
Had Michael Myers looking like a liar
Swiped his powers
replaced his knife with flowers and a stack of flyers
Hit Jason Vorhees with a 40
stuck a suppository up his ass
and made him tell me a story
Gave Hannibal Lecter a fucking nectarine
and sat him in the fucking fruit and vegetable section
then gave him a lecture
Walked up Elm Street with a fucking Wiffle bat drew
fought Freddy Kruger and Edward Scissorhands too
and came out with a little scratch ooh
looking like I got in a pillow fight with a triple fat goose
Insanity,
can it be vanity?
Wheres the humanity
in having a twisted fantasy
with an arm and leg amputee?
Straight jacket with 108 brackets
with a strap that wraps twice around your back
and then latch it
cut your fucking head off
and ask "where you headed off to?"
get it? "headed off to?"
Medic this headache's awful
this antistatic's pathetic
so is this diabetic waffle
and this prostetic arm keeps crushing my hard taco

this might be the best song on the album, "underground" double meanings, hiding underground in absence, or how he's actually rapping like he did when he was underground in '97. an intense 6 minutes of non-stop rhymes, this song is like chrismas came early. this song is straight marshall mathers lp he proves he can still write, flow and use a serious angry voice not to mention some choice words.
the album had all the staples to a classic shady album: the slim shady evil alter ego voice, the first skit is a reference to the first skit on slim shady ep. paul and steve topped themselves on this one, "you know the guy's dead right?" that was classic! and steve referencing getting shot in the eminem show. steve also referencing the music industry melting down while eminem was gone. i agree, eminem will ALWAYS be a more talented rapper than lil wayne, flo rida, timbaland, and every other rapper that got hot while em "went missing." Ironically, at 3:28 in "my mom" eminem breifly sings autotune; the god-aweful signature of hot music in his absence. another great line is "now everyone's pissed at me like it's my fault his name name rhymes with so many different words" acknowledging how em just likes to "throw words." and of course the obligatory ken kaniff song parody. the beginning of this track is a reference to the beginning of the last track on slim shady lp and marshall mathers lp "a lot of people ask me..." an eminem album is meant to listen to straight through as a work of art. relapse has something for every single fan of eminem. i would be almost disappointed if he didn't discuss his mom, childhood, daughter, celebrities, and drugs. guest appearences are light, just dre and 50 which is how it should be, but i wouldn't have blamed him for a d12 track. not a whole lot of "beefs" with other rappers like older albums or references to kim (ex wife) although the tonya skit reminded me of the bonnie & clyde '97/kim opus. eminem has a new found love for serial killers on this album, really playing into his murderous persona. i only remember hearing one proof reference, i was surprised there wasn't more. i did not like his choice to put old times sake as track 13, we made you would have been more suitable there due to dina rae's back up vocals. all in all, this album rewards more hardcore fans with all the illusions to previous works, and is an emotional rollercoaster.

i'm pretty impressed to hear a rap song in 5/8. i didn't think rap existed outside of 4/4
Aggreed.
Aggreed.
well spotted
well spotted
hate to rain on your parade, but only the chorus is 5/8. the rest is common time.
hate to rain on your parade, but only the chorus is 5/8. the rest is common time.

he's saying something in the end of this song. i love this CD! the thing with Christopher Reed was so friggin funny. its been like FOREVER since i heard a song by Eminem. this CD was totally killer

meant to put Reeve not Reed

Relapse to me was a disappointment at first. It it grows on you
Top Rated Songs 1beautiful 2deja vu 3we made you 4underground 5.my darling 6.3am

BTW King of Some Island, you left out the ending, thats one of my favorite parts of the song, bcuz this song ends the album and the ending makes fun of songs on the album.

this is easily the best song on the cd, eminem is my favorite rapper but ever since encore i stopped really likin or listenin to his new shit cause all he does is make retarted songs like we made you and crack a bottle.. but thats alright cause i realized he was just doin it cause all the pills he was on and just havin a fuckin good time lol.. but this song is the most literally insane thing i have ever heard and thats y i like it and can understand it, i miss when all of ems shit used to spit hard or at least as sick as this

I'm a fan of Eminem's earlier stuff, like before Encore and my fav is definitely Slim Shady LP, so unless his new shit's like that, I'm not particularly interested. It's embarrassing to hear some of the stuff he's done on Encore and on most of Relapse (accents, childish lyrics, sing-song choruses, WTF???). However, I'm glad when he's back to his manic self, and this song is crazy...any doubters should have a listen to this and wait expectantly for Relapse 2.
The song itself takes a lot of the lyrical content of Relapse, removes the stupid accents and tightly hones the flow...plus adds a little old school Shady style...and gives you the best song on the record.
Rather him be genuinely funny and disgusting (like here), than lame, unfunny and disgusting(most of his recent output)...it just sits better with the listener

It's about how he DOESN'T have the capacity to rap like he did on SSLP/MMLP anymore. The lyrics are good, but a hell of a lot weaker than those two albums. "Looking for me? I'm underground" points to the fact that the next SSLP is coming from the underground rap scene and that the fans need to accept his music for what it's become and listen to the underground to see WHAT's to come. Just sayin

EMINEM IS DOING THE BEST HE CAN...I THINK HE'S ON A BIT OF A WRITER'S BLOCK...YOU CAN TELL JUST BY HEARING THE LYRICS...BUT THAT DON'T MEAN THAT THE LYRICS ARE WEAKER, JUST NOT HIMSELF..IF YOU KNOW WHAT I MEAN...I LOVE THIS GUY AND WHAT HE'S DONE WITH RAP, AND I NEVER DOUBTED, FORGOT, OR TURNED ON HIM...UNLIKE MANY OF YOU WHO ARE READING THIS PROBABLY HAVE...FACE IT.