Warren wanted a Beach Boys thing for this one, and Carl Wilson and Billy Hinsche came in, with Carl arranging the vocal parts. The other harmony vocalists (credited as the "Gentlemen Boys") were Jackson Browne, J.D. Souther, Zevon's longtime backers Waddy Wachtel and Jorge Calderon, and Linda Rondstadt/Stone Poneys guitarist Kenny Edwards.
The drinking dens are spilling out
There's staggering in the square
There's lads and lasses falling about
And a crackling in the air
Down around the dungeon doors
The shelters and the queues
Everybody's looking for
Somebody's arms to fall into
And it's what it is
It's what it is now
There's frost on the graves and the monuments
But the taverns are warm in town
People curse the government
And shovel hot food down
The lights are out in city hall
The castle and the keep
The moon shines down upon it all
The legless and asleep
And it's cold on the tollgate
With the wagons creeping through
Cold on the tollgate
God knows what I could do with you
And it's what it is
It's what it is now
The garrison sleeps in the citadel
With the ghosts and the ancient stones
High up on the parapet
A Scottish piper stands alone
And high on the wind
The highland drums begin to roll
And something from the past just comes
And stares into my soul
And it's cold on the tollgate
With the Caledonian blues
Cold on the tollgate
God knows what I could do with you
And it's what it is
It's what it is now
What it is
It's what it is now
There's a chink of light, there's a burning wick
There's a lantern in the tower
Wee willie winkie with a candlestick
Still writing songs in the wee wee hours
On Charlotte Street
I take A walking stick from my hotel
The ghost of Dirty Dick
Is still in search of little nell
And it's what it is
It's what it is now
Oh, it's what it is
What it is now
There's staggering in the square
There's lads and lasses falling about
And a crackling in the air
Down around the dungeon doors
The shelters and the queues
Everybody's looking for
Somebody's arms to fall into
And it's what it is
It's what it is now
There's frost on the graves and the monuments
But the taverns are warm in town
People curse the government
And shovel hot food down
The lights are out in city hall
The castle and the keep
The moon shines down upon it all
The legless and asleep
And it's cold on the tollgate
With the wagons creeping through
Cold on the tollgate
God knows what I could do with you
And it's what it is
It's what it is now
The garrison sleeps in the citadel
With the ghosts and the ancient stones
High up on the parapet
A Scottish piper stands alone
And high on the wind
The highland drums begin to roll
And something from the past just comes
And stares into my soul
And it's cold on the tollgate
With the Caledonian blues
Cold on the tollgate
God knows what I could do with you
And it's what it is
It's what it is now
What it is
It's what it is now
There's a chink of light, there's a burning wick
There's a lantern in the tower
Wee willie winkie with a candlestick
Still writing songs in the wee wee hours
On Charlotte Street
I take A walking stick from my hotel
The ghost of Dirty Dick
Is still in search of little nell
And it's what it is
It's what it is now
Oh, it's what it is
What it is now
Lyrics submitted by redmax, edited by Sammy82154
What It Is Lyrics as written by Mark Knopfler
Lyrics © BMG Rights Management, Royalty Network, Sony/ATV Music Publishing LLC, Warner Chappell Music, Inc.
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Spirit Within
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The Spy
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Doors, The
Like a lot of the other comments are saying, I think this mainly about voyeurism. If the song was about his girlfriend, then why would he use the word spy. If you are a spy it means you shouldn't be caught, that is kind of the whole point, and if you are a voyeur, the whole point of the pleasure you get from it, is the fact that the other people don't know you are watching them. See a bit of a connection there?
Fast Car
Tracy Chapman
Tracy Chapman
"Fast car" is kind of a continuation of Bruce Springsteen's "Born to Run." It has all the clawing your way to a better life, but in this case the protagonist never makes it with her love; in fact she is dragged back down by him.
There is still an amazing amount of hope and will in the lyrics; and the lyrics themselve rank and easy five. If only music was stronger it would be one of those great radio songs that you hear once a week 20 years after it was released. The imagery is almost tear-jerking ("City lights lay out before us", "Speeds so fast felt like I was drunk"), and the idea of starting from nothing and just driving and working and denigrating yourself for a chance at being just above poverty, then losing in the end is just painful and inspiring at the same time.
The Night We Met
Lord Huron
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This is a hauntingly beautiful song about introspection, specifically about looking back at a relationship that started bad and ended so poorly, that the narrator wants to go back to the very beginning and tell himself to not even travel down that road. I believe that the relationship started poorly because of the lines:
"Take me back to the night we met:When the night was full of terrors: And your eyes were filled with tears: When you had not touched me yet"
So, the first night was not a great start, but the narrator pursued the relationship and eventually both overcame the rough start to fall in love with each other:
"I had all and then most of you"
Like many relationships that turn sour, it was not a quick decline, but a gradual one where the narrator and their partner fall out of love and gradually grow apart
"Some and now none of you"
Losing someone who was once everything in your world, who you could confide in, tell your secrets to, share all the most intimate parts of your life, to being strangers with that person is probably one of the most painful experiences a person can go through. So Painful, the narrator wants to go back in time and tell himself to not even pursue the relationship.
This was the perfect song for "13 Reasons Why"
Holiday
Bee Gees
Bee Gees
@[Diderik:33655] "Your a holiday!" Was a popular term used in the 50s/60s to compliment someone on their all around. For example, not only are they beautiful, but they are fun and kind too ... just an all around "holiday".
I think your first comment is closer to being accurate. The singer/song writers state "Millions of eyes can see, yet why am i so blind!? When the someone else is me, its unkind its unkind". I believe hes referring to the girl toying with him and using him. He wants something deeper with her, thats why he allows himself to be as a puppet (even though for her fun and games) as long as it makes her happy. But he knows deep down that she doesnt really want to be serious with him and thats what makes him.
Knopfler is truly as much a folk mucisian as he is a rock star.
Songs like this "explain" why..
This song, I must conclude, is about Edinburgh. Numerous references (Tollgate, Caledonian Blues, Charlotte Street, the parapet [which refers to the Castle]). Also, nice Dickens reference (Dirty Dick in search of Little Nell). I think it's brilliantly atmospheric.
Just reading the lyrics out loud and not muffing them is a task! I love this song, in part because of the wonderful word pictures it paints. The tollgate, the moon shining down on the legless and asleep, Caledonian blues, on and on. A history recounted in a few minutes time. Clever, complicated and always so rich in meaning- wrapped up in a lovely melody. Class. Pure class.
I'm pretty certain that most of this song refers to Edinburgh, Scotland. Lots of drinking dens & taverns, graves and the monuments. There's the castle and the keep, and even tollgate. "...the ancient stones" refer to the Stone of Scone, the Scottish coronation stone that was broken in half and sits in Edinburgh Castle.
On Charlotte Street I take A walking stick from my hotel The ghost of Dirty Dick Is still in search of Little Nell
Charlotte Street is near the Castle, in the Edinburgh New Town, and Dirty Dick's is pub near there.
I agree 100%. Saw Mark Knopfler live a few months after visiting Edinburgh, and I realized the connection. I think the production and feel on the album version really captures the feel of that city as well.
The writer is observing the daily pettiness of human behavior, while the importance of solitude and loneliness are on his mind. On this particular night, people are not just eating, they're "shoveling food", getting drunk, complaining, as if they didn't have any real worries.
All the while, the writer is observing "frost on the graves" and people waiting in line at the homeless shelters and soup lines.
They are protected in the night by the garrison and the toll taker. But, the garrison is asleep watching over nothing but old ghosts, and the toll taker is cold and has someone on his mind.
It's modern times. Places change, but, people stay the same. The dungeon doors, the castle, the horse and wagons all suggest that people have been doing the same meaningless activities for hundreds of years. So, what's changed? Here, Knopfler hints at the Iron Hand from his final DS album.
A lone piper plays the national instrument of Scotland and sets the songs tone, as the writer is thinking about someone he's lost. His observances of a carefree society in the midst of loss and despair yields the answer, "It's what it is." There's people with small worries, and then there's him.
The highland drummer joins the piper as the wind blows stronger, triggering the writer to shiver and remember a person from his past. With the "ghosts and the ancient stones" previously mentioned, this "something from the past just comes and stares into my soul" is likely someone who has died.
A brief mention of the Scottish Blues is another hint that the writer is lamenting for someone he's lost.
In the wee small hours as the lantern's are about to burn out, the writer confesses that he's been up all night writing lyrics. In an instant, he's back out on the street searching. He's still amongst the ancients. He and the ghost of Nathaniel Bentley (nicknamed Dirty Dick after his refusal to bath for the remainder of his life, as he grieved the death of his fiancé on their wedding day in the late 1700's) are still in search of Little Nell. The writer is in search of his lost love, just as Bentley kept in search of his. Bentley never threw away their wedding cake, allowing it to decay on the dining room table. Bentley used to wait by his fiancé's grave for her return.
Knopfler purposely references Bentley, as he too in this song is still searching for those lost "arms to fall into".
For those who have lost someone dear to them, and are forced to observe the daily petty behavior of people, there is only but one thing to say in the end, "It is what it is". It's what it is, now.
@StevenPascali Fantastic take on this wonderful, soulful song.
@StevenPascali Wow, great interpretation. Will need to read that a couple more times. Thanks.
@StevenPascali Great analysis and contribution, thanks!
@StevenPascali Great analysis and contribution, thanks!
I was interested in the line "the ghost of Dirty Dick is still in search of little Nell", I didn´t really find out what it means, although I read Charles Dickens´ "Old curiosity shop"(not in English but in German)(great book) where Little Nell is the main charakter. Does anybody know what relation Charles Dickens had to Edinburgh, because I couldn´t find out yet.
Edinburugh was a fairly cultural city in Dickens time as to was London, part of the British Empires' greatest cities, it also attracted engineers, philosphers, doctors lawyers, etc and also novelist and romantics. C Dickens was one of them i'd imagine.
The greatest Knopfler song ever. Simple as that! Love the fiddle with electric guitar combo, which Knopfler does so very well. Highly satisfying for the evocative lyrics and inimitable music.
The song mixes up the references to "Dirty Dick" and Little Nell, the latter a character in Dickens' The Old Curiosity Shop. "Dirty Dick" was a London ironmonger who went crazy when his fiancee, Nell, died the day before the wedding. There is a Dick Swiveller who looks for Little Nell. "Dirty Dick" may be looking for Nell, but not in the pages of Dickens' novel.
From the dramatic build of the opening drums to the exquisite Knopfler guitar work, to the wordsmithmanship of a genius, this song conjures the atmosphere of times and places of old. I'll be playing this song the next time I roam the grounds of Edinburgh. For some reason, the line " High on a parapet A Scottish piper stands alone" has always sent shivers up my spine. Probably my favorite line of any song ever............
Their is also the line "wee willie winkie with the candle stick/ still writin' songs in the wee wee hour" which is from some movie. I love the guitar solo.
Several years ago I was sitting in my baby daughters room at 3 am in the morning reading to her from a book of Nursery rhymes, when all of a sudden, I read the line in one of the poems that said "wee willie winkle with a candle stick still writing songs in the wee wee hours".<br /> <br /> It is just another reason in a long list of reasons why there is no one with the complete skills of MK.
@Tmo2199
From "The Real Mother Goose" book of nursery themes there is this:<br /> <br /> "Wee willie Winkie<br /> Runs through the town<br /> Upstairs, downstairs<br /> In his nightgown,<br /> Rapping at the window, <br /> Crying at the lock,<br /> 'Are all the children in their beds,<br /> For now it's eight o'clock!' " <br /> and in the illustration he is a VERY young boy, barefoot, and holding a candle in a gold colored candlestick with a handle for index finger to go through and palm and thumb under the plate part just as they used in houses at night.<br /> I wish I knew who "Dirty Dick" as both names sound very Dickensian and I don't imagine Dirty Dick was sexually dirty but poor orphan no-bath dirty.